Full disclosure here: I saw the
20-minute version of Gabriela Munoz' show two years ago and loved it.
I also helped Ms. Munoz and Audrey Crabtree a little last year on
their piece called “Flocked.” Now that the disclosures are out
of the way, let me tell you how much I loved the expanded, hour-long
version of “Perhaps, Perhpas...”
This show heaves with equal parts
gentleness and strength. Everything is so simple, yet so lived in.
A ridiculous-yet-not-to-be-trifled-with creature has staged an event
in the the theatre that she hopes, beyond all reasonable possibility,
will actually turn into her wedding day. It doesn't, but not, maybe
for the reasons one might initially suspect. It is a journey of
folly that explores the nature of...what? Relationships? Love? Love
as an object? The way in which we are always projecting the desire
to become a particular image of ourselves onto our partners? Yes,
maybe that. And maybe also the black hole that this tendency can
sometimes lead us to.
In her search for the perfect wedding
day, this silent charmer with gigantic hair and a white wedding dress
starts simply: a wedding path gently laid on the floor with white
toilet tissue, to a squaeky-voiced self-accompaniment of the marriage
march. Then onto a wedding cake that she cannot resist eating,
taking more with each bite, which, of course, leads to
self-consciousness and a meager attempt to hit the gym, and then,
because the “gym” she imagines is right next to the cake, a
return to eating even more cake. There are some beautiful images
here, and the situations build simply, starting with one proposition
that eventually spills over into an absurd extreme without pushing.
Then onto working the audience to find
a suitor, again with the same gentleness, artistry, and integrity.
Her softness has a hard core – always
giving more than it asks for. And her images echo sometimes of the
kind of distilled bleakness you expect more in Beckett's “Happy
Days.”
I don't want to give away too much, as
you should soak her journey in yourself.
I will mention that Ms. Munoz provides
an example to us all in trusting the simplicity of both her approach
and her narrative. She never describes, she simply does. And she
never does too much. If you come to her show expecting juggling &
acrobatics, you will leave disappointed. But if you come to her show
hoping to get your soul juggled in amazingly contoured routine, then
you will leave as full as a gorged boa constrictor.
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